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Sarah Jane Palmer

Sarah Jane Palmer is a Sheffield-based multidisciplinary artist and educator whose practice spans installation, inflatable sculpture, painting, animation, film and printmaking. Drawn to the edges of perception, she works with ideas around visual hallucinations, dreams, geometry, pattern and historical archives — creating work that invites an unexpected shift in how we see.

Sarah's practice is rooted in making the invisible visible — exploring the threshold between what is seen and unseen, known and unknown. Working in a collaborative and research-led way, she draws on partnerships with scientists, communities and institutions to investigate ideas around visual perception, sight loss and the ways in which the mind constructs and deceives the eye. Her work often emerges through long-term enquiry, taking unexpected forms across a range of materials and media.

In 2004 Sarah graduated with a BA (Hons) in Fine Art, and in 2013 received an MA in Fine Art with distinction. Alongside her studio practice she works extensively as an artist educator and creative learning facilitator, collaborating with galleries, schools and community organisations across the north of England.

A woman with brown hair and glasses lightly touches a pale coloured artwork with raised sections. She has her eyes closed.

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  1. Marialuisa Tadei, Night and Day, 2009. Courtesy the artist and YSP at Yorkshire Sculpture Park
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    Marialuisa Tadei: Night and Day

    Tadei’s works commonly explore mystical and spiritual views inspired by anatomy and nature, and uses geometric forms, such as circles, to symbolise eternity. The two-sided mosaic Night and Day (Incarnazione) is an extension of the artist’s Oculus Dei series (1998-2008), colourful and abstract disks made of glass and marble that can be interpreted as the details in human eyes.
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  4. Jaume Plensa Wonderland 1993 at Yorkshire Sculpture Park
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    Jaume Plensa: Wonderland

    Wonderland is a cast iron doorway on the external wall at the end of our visitor centre. It subtly plays with our expectations as it doesn’t open to allow us to pass through. Although it announces itself quietly, this sculpture speaks of our past, present and potential futures.

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