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Sarah Jane Palmer

Sarah Jane Palmer is a Sheffield-based multidisciplinary artist and educator whose practice spans installation, inflatable sculpture, painting, animation, film and printmaking. Drawn to the edges of perception, she works with ideas around visual hallucinations, dreams, geometry, pattern and historical archives — creating work that invites an unexpected shift in how we see.

Sarah's practice is rooted in making the invisible visible — exploring the threshold between what is seen and unseen, known and unknown. Working in a collaborative and research-led way, she draws on partnerships with scientists, communities and institutions to investigate ideas around visual perception, sight loss and the ways in which the mind constructs and deceives the eye. Her work often emerges through long-term enquiry, taking unexpected forms across a range of materials and media.

In 2004 Sarah graduated with a BA (Hons) in Fine Art, and in 2013 received an MA in Fine Art with distinction. Alongside her studio practice she works extensively as an artist educator and creative learning facilitator, collaborating with galleries, schools and community organisations across the north of England.

A woman with brown hair and glasses lightly touches a pale coloured artwork with raised sections. She has her eyes closed.

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  1. Sean Scully, Wall Dale Cubed, 2018 Courtesy the artist and YSP at Yorkshire Sculpture Park
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    Sean Scully: Wall Dale Cubed

    Made for YSP, Wall Dale Cubed uses 1000 tonnes of Yorkshire stone from a local quarry and was constructed over many weeks. Importantly to the artist, this colossal work is built in the same way throughout, which connects to ancient stone walls in Ireland, so that ‘when looking at the outside of the block, one can feel the inside without being able to see it’.
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  3. Peter Randall Page Envelope of Pulsation For Leo 2017 Courtesy the artist at Yorkshire Sculpture Park
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    Peter Randall Page: Envelope of Pulsation (for Leo)

    Envelope of Pulsation (for Leo) is made from the granite of Blackenstone Quarry in Dartmoor, Devon. Carved repeating shapes cover the vertical faces of the work and follow the contours of the granite block.
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    Gavin Turk: Oeuvre (Verdigris)

    Oeuvre (Verdigris) is made of bronze and features markings reminiscent of a duck egg. Placed in a natural landscape setting at YSP, this oversized egg seems realistic and familiar, whilst also being comic and surreal due to its scale.

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