Sarah Jane Palmer
Sarah Jane Palmer is a multi-disciplinary artist with a passion for sculpture, geometry, pattern, illusions and storytelling. Inspired by the unexpected, patterns in nature, dreams and historical archives – from the historical Nottingham lace trade to the romance of the circus – her sculpture, installations, films and designs for wallpaper, prints and textiles draw from her investigation which often comes with a bit of an unexpected twist.
Sarah has a depth of experience within many fields of making accumulated over the last 20 years including; sculpture, installation art, film, animation, prop making, theatrical mask making, designing hand printing wallpapers and wall-art. In 2004 she graduated with a BA (hons) Fine Art Degree in Painting and Printmaking, in 2013 received a Masters Degree in Fine Art with distinction.
Sarah is a freelance artists educator and teaches sculpture at the Yorkshire Sculpture Park. In 2016 she created the first animated wallpapers and established her wallpaper brand Muriel Design Ltd selling her designs to interior designers and private clients around the world.
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- Art Outdoors

Daniel Arsham: Bronze Eroded Bunny
Arsham transforms familiar objects and images to create a sense of distorted reality and plays with our expectations. Bronze Eroded Bunny is based on a Bugs Bunny plush toy which has been transformed into a future relic. - Art Outdoors

Damien Hirst: The Martyr – Saint Bartholomew
The Martyr – Saint Bartholomew depicts the martyred saint who was one of the Twelve Apostles of Jesus. In Hirst’s version he holds scissors and a scalpel to suggest that his torture is self-inflicted. - Art Outdoors

Marc Quinn: Wilder Shores of Desire
Wilder Shores of Desire takes the form of a large orchid and is part of Quinn’s Flower series. - Art Outdoors

Serge Spitzer: Untitled
The sculpture creates, encloses and protects its own interior, which can be glimpsed through the spaces held open by rubber pads. Spitzer chose to reflect upon the character and history of the location for his sculpture and to encourage active looking and questioning. It is not immediately clear if the beam emerges from, or supports, the quarry face. When seen from different angles, the sculpture creates different senses of stability and balance, of open and closed spaces.