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Sarah Jane Palmer

Sarah Jane Palmer is a multi-disciplinary artist with a passion for sculpture, geometry, pattern, illusions and storytelling. Inspired by the unexpected, patterns in nature, dreams and historical archives – from the historical Nottingham lace trade to the romance of the circus – her sculpture, installations, films and designs for wallpaper, prints and textiles draw from her investigation which often comes with a bit of an unexpected twist. 

 Sarah has a depth of experience within many fields of making accumulated over the last 20 years including; sculpture, installation art, film, animation, prop making, theatrical mask making, designing hand printing wallpapers and wall-art. In 2004 she graduated with a BA (hons) Fine Art Degree in Painting and Printmaking, in 2013 received a Masters Degree in Fine Art with distinction.

Sarah is a freelance artists educator and teaches sculpture at the Yorkshire Sculpture Park. In 2016 she created the first animated wallpapers and established her wallpaper brand Muriel Design Ltd selling her designs to interior designers and private clients around the world. 

A woman with long brown hair and black glasses, wearing a scarf.

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    Eddy continues JocJonJosch’s investigations into collaboration. The round boat with three oars is symbolic of the collective’s dynamic, in which Joc, Jonathan and Joschi wrestle towards a destination. There is a sense that each time one would attempt to move forward, his movement would be countered by the action of the other two, leaving them literally turning in circles.
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    Fri 28 – Mon 31 Aug 2026
    Following a two week residency, Yorkshire Graduate Award 2025 recipient Jim Ever presents a brand new exhibition inspired by the YSP landscape.
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    Daniel Arsham: Unearthed Bronze Eroded Melpomene

    Unearthed Bronze Eroded Melpomene is made from bronze and patinated using a green colour associated with classical sculpture. The sculpture references a statue from the Louvre Museum in Paris, France.
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    Elisabeth Frink: In Memoriam II

    Frink succeeds in capturing a sense of defiance with In Memoriam II as the features of the figure express great sadness but also a sense of dignity.

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