Nat Bellingham

Nat Bellingham is a freelance maker, performer, and creative facilitator. Born in South Africa, raised in Manchester, and now living in Wakefield, Nat works with adults, children, families and young people in visual arts.

Working in a range of settings, including theatres, galleries, schools, hospitals and in the outdoors, play and imagination is at the centre of everything Nat does.

Nat studied Performance at Bretton Hall, in the grounds of YSP, graduating with a First Class honours in 2008. During her time here, Nat’s unique practice, combining visual arts and nature developed. Nat continues to instigate projects, collaborate, mentor, and teach, alongside her practice. She has worked with YSP as an artist educator for over 12 years.

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  1. Henry Moore Large Totem Head at Yorkshire Sculpture Park
    Art Outdoors

    Henry Moore: Large Totem Head

    This sculpture is enlarged from a much smaller work made five years previously called Head: Boat Form and the resemblance to a hollowed-out boat remains clear. However, unlike that sculpture, which sat horizontally, Large Totem Head is raised to a standing form, assuming the totem-like presence of its title.
  2. A bronze table structure with white marble pieces wrapped in wire on top.
    Art Outdoors

    Mikayel Ohanjanyan: Diario

    Diario is a physical expression of the many connections that humans make with one another over the course of a lifetime, whether fleeting associations or enduring and intimate bonds. Ohanjanyan draws on a deep interest in our individuality and what we share of ourselves through our relationships with others, inspired by how the journey of our lives is shaped from beginning to end.
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  4. William Turnbull Large Idol 1985 Courtesy the artists estate and YSP at Yorkshire Sculpture Park
    Art Outdoors

    William Turnbull: Large Idol

    Large Idol forms part of a series of ‘Idol’ sculptures which William Turnbull made over the course of several years. These minimal works take the human form as a starting point which is then simplified and refined, whilst maintaining a sense of figuration. The titles of these streamlined forms make reference to them perhaps being thought of as ancient gods and being worshipped for their power and beauty.