Nat Bellingham

Nat Bellingham is a freelance maker, performer, and creative facilitator. Born in South Africa, raised in Manchester, and now living in Wakefield, Nat works with adults, children, families and young people in visual arts.

Working in a range of settings, including theatres, galleries, schools, hospitals and in the outdoors, play and imagination is at the centre of everything Nat does.

Nat studied Performance at Bretton Hall, in the grounds of YSP, graduating with a First Class honours in 2008. During her time here, Nat’s unique practice, combining visual arts and nature developed. Nat continues to instigate projects, collaborate, mentor, and teach, alongside her practice. She has worked with YSP as an artist educator for over 12 years.

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  1. Three tall thin bronze sculptures looking out over the landscape
    Art Outdoors

    Henry Moore: Upright Motives No. 1 (Glenkiln Cross): No 2; No 7

    Moore created twelve Upright Motives in the mid 1950s. In their powerful symbolism these pieces owe much to the tall, upright stones, known as menhirs, from prehistoric times. Moore brought all these influences together to create forms which are unmistakably his own.
  2. Alfredo Jaar The Garden of Good and Evil 2017 Courtesy the artist New York apolitical and YSP at Yorkshire Sculpture Park
    Art Outdoors

    Alfredo Jaar: The Garden of Good and Evil

  3. Henry Moore Large Totem Head at Yorkshire Sculpture Park
    Art Outdoors

    Henry Moore: Large Totem Head

    This sculpture is enlarged from a much smaller work made five years previously called Head: Boat Form and the resemblance to a hollowed-out boat remains clear. However, unlike that sculpture, which sat horizontally, Large Totem Head is raised to a standing form, assuming the totem-like presence of its title.
  4. Jaume Plensa Wonderland 1993 at Yorkshire Sculpture Park
    Art Outdoors

    Jaume Plensa: Wonderland

    Wonderland is a cast iron doorway on the external wall at the end of our visitor centre. It subtly plays with our expectations as it doesn’t open to allow us to pass through. Although it announces itself quietly, this sculpture speaks of our past, present and potential futures.