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Michelle Vesey

Michelle Vesey is an artist, educator, and creative facilitator, passionate about exploring art as a process of enquiry and discovery. She works with children, young people, families, and adults, using art in schools, galleries, and community spaces to nurture curiosity and creativity.

Michelle’s practice spans drawing, photography, film, and image-making technologies, to explore and consider the relation between real world and images. Her work with people focuses on how we develop knowledge and meaning through creative activity, always embracing the value of play in the artistic process.

Michelle studied Fine Art at Sheffield Hallam University graduating with a First-Class Honours degree in 2007. She holds a PGCE in Art and Design Education from Manchester Met, and an MA Arts and Learning (Distinction) from Goldsmiths. She has worked as an artist educator with YSP for over 10 years. She also works as an Assistant Director for the A.T.E. Trust, running residential holidays that foster learning, development, and community through play.

A woman with shoulder length brown hair smiling at the camera.

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  1. A white road sign with ARCADIA in black letters, outdoors near to some trees
    Art Outdoors

    Leo Fitzmaurice: Arcadia

  2. Art Outdoors

    Ro Robertson: Stone (Butch)

    Robertson’s Stone (Butch) (2021) is part of a body of works exploring the terrain of the queer body in the landscape and was created by plaster casting directly in crevices in natural rock formations at Godrevy Point (St Ives Bay, Cornwall).
  3. David Nash Barnsley Lump 1982 at Yorkshire Sculpture Park
    Art Outdoors

    David Nash: Barnsley Lump

    Barnsley Lump is a rough-cut block of local coal that connects to the geological and social history of the area. It is gradually disintegrating back into the earth, as Nash anticipated, describing it as a ‘going’ work.
  4. A bronze bust of a human head displayed on a tall grey plinth outdoors with climbing plants behind it.
    Art Outdoors

    Elisabeth Frink: In Memoriam II

    Frink succeeds in capturing a sense of defiance with In Memoriam II as the features of the figure express great sadness but also a sense of dignity.

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