Conflict and oppression alongside compassion, faith and spiritual strength are common themes in the work of Elisabeth Frink (1930-93). The horrors of the Second World War had a lasting impact on her work and life, and prompted her to become an active supporter of Amnesty International. Frink’s proximity to the realities of war led her to create images of despair and hostility, but she was also inspired by heroism and self-sacrifice.

She used the male figure to explore the complexities of humanity, exposing both strength and vulnerability.

Seated Man II relates strongly to Frink’s Riace figures. These solitary individuals combine strength with a sense of quiet observation and isolation. Like the larger-than-life Riace figures, these works show the male form as muscular and powerful.

An exhibition of Frink’s sculpture, prints and plaster models – Natural Connection – is on display at The Weston until 23 February 2025.

Courtesy The Frink Estate and Yorkshire Sculpture Park.