
Transparency: A National Partners Programme exhibition from the Arts Council Collection
– ChapelAbout Transparency: A National Partners Programme exhibition from the Arts Council Collection
Taking the exceptional light qualities of the historic Chapel as inspiration, this exhibition explored the condition of transparency and in so doing responded to the particular aesthetic of the 18th-century building.
Transparency was the second in a series of exhibitions from the Arts Council Collection's National Partners Programme.
The notion of transparency is extended by considering the multiple meanings of the word: from the property of transmitting light, being diaphanous and having clarity, to being free from pretence or deceit, of being readily understood, and characterised by visibility or accessibility of information. Including work by Hiraki Sawa, Garth Evans and Yelena Popova, the exhibition considered how artists have investigated subjects such as truth to material, the everyday or ordinary, and material and psychological transparency. Produced during a period when the demand for truth and transparency from politicians, corporations and other institutions was especially evident, Transparency reflected a shifting sentiment in British culture.
This exhibition was part of the Arts Council Collection National Partners Programme supported by Arts Council England
To find out more go to artscouncilcollection.org.uk or Twitter @A_C_Collection / #ACCNatPartner
You might also like
More- Art Outdoors
Heather Peak and Ivan Morison: Silence – Alone in a World of Wounds
Silence – Alone in a World of Wounds is installed alongside Upper Lake within a stand of birch trees and aims to create solitary communion with the natural world. Responding to the question 'Can art save us from extinction?', the artists developed a sculptural space made of natural materials including timber and thatch. It acts as an extended open pavilion and becomes a framework and quiet space set within nature. - Art Outdoors
Sophie Ryder: Sitting
Animals are at the heart of Sophie Ryder’s art practice and her life. Her enduring character known as the Lady Hare combines a female body with the head of a hare, a mystical creature in folklore. - Profile
Steve Holland
- Art Outdoors
Elisabeth Frink: Judas
The figure of Judas is a powerful embodiment of betrayal. Elisabeth Frink tackles the ambiguities of the character in this sculpture cast in bronze.