
About Nishat Awan
An immersive video installation by artist and academic Nishat Awan in the refurbished Bothy Gallery. Grounded in original field research, Migrant Narratives of Citizenship: A Topological Atlas of European Belonging presented a collection of maps which follow the borders of Europe, particularly along the Black Sea.
The exhibition traced a route through the borderlands of the ‘refugee crisis’ narrating stories of migrant journeys and the clandestine crossing of borders. An unfinished and provisional Atlas of European Belonging visualised Europe through its margins and the spaces of transit, movement and stasis produced by those on the move.
This timely project, developed in collaboration with artist Cressida Kocienski, took as its starting point the historical connection between the way states represent themselves through maps and how citizens and non-citizens are defined. Awan considers maps to be world-making entities traditionally created by those in power, rather than as visualisations of an already existing world.
Awan is a Lecturer in Architecture at the University of Sheffield and worked with her students to construct this installation. The exhibition not only invited visitors to journey through the gallery to experience migrant perspectives on the current crisis in Europe, but also acted as a platform for further discussions between refugees, academics and non-governmental organisation (NGO) representatives that will contribute to Awan’s ongoing research.
Awan’s academic research focuses on the intersection of geo-politics and space, in particular working with the topics of migration, borders and diasporas. She is co-author of Spatial Agency (Routledge, 2011), a book that explores other modes of practicing architecture and her current book Diasporic Agencies (Ashgate, 2016), also explores questions of migration.
Migrant Narratives of Citizenship: A Topological Atlas of European Belonging was supported by the Independent Social Research Foundation, University of Sheffield and ESRC Festival of Social Science.
You might also like
More- Art Outdoors

Leiko Ikemura: Usagi Kannon II
Usagi Kannon II [Rabbit Madonna] is one of Ikemura’s most significant motifs. Her hybrid creature with rabbit ears and a crying, human face acts as symbol of universal mourning, first created in 2011 in response to the Fukushima nuclear disaster in Japan. - Art Outdoors

Jørgen Haugen Sørensen: Supplement til Titlens Afskaffelse
Supplement til Titlens Afskaffelse (Supplement to the Title’s Abolition) embodies Haugen Sørensen’s respect for and relationship with granite. After YSP organised his first solo exhibition in the UK in 1993, the artist developed a great interest in siting sculpture in the open air, enjoying the tough, uncompromising nature of granite, which is one of our hardest and most unyielding stones. - Art Outdoors

Masayuki Koorida: Form Twist; Growth; Kids; Flower
Internationally known for his abstract stone sculptures, Masayuki Koorida commonly works with granite or black or white marble. The artist’s works are directly carved and highly polished to a smooth finish. - Event

Summer in the Hidden Forest
–Meet underneath the trees in our magical Hidden Forest this summer holiday and get creative, connecting nature with drawing, sculpture building and sensory activities.


