
About Nishat Awan
An immersive video installation by artist and academic Nishat Awan in the refurbished Bothy Gallery. Grounded in original field research, Migrant Narratives of Citizenship: A Topological Atlas of European Belonging presented a collection of maps which follow the borders of Europe, particularly along the Black Sea.
The exhibition traced a route through the borderlands of the ‘refugee crisis’ narrating stories of migrant journeys and the clandestine crossing of borders. An unfinished and provisional Atlas of European Belonging visualised Europe through its margins and the spaces of transit, movement and stasis produced by those on the move.
This timely project, developed in collaboration with artist Cressida Kocienski, took as its starting point the historical connection between the way states represent themselves through maps and how citizens and non-citizens are defined. Awan considers maps to be world-making entities traditionally created by those in power, rather than as visualisations of an already existing world.
Awan is a Lecturer in Architecture at the University of Sheffield and worked with her students to construct this installation. The exhibition not only invited visitors to journey through the gallery to experience migrant perspectives on the current crisis in Europe, but also acted as a platform for further discussions between refugees, academics and non-governmental organisation (NGO) representatives that will contribute to Awan’s ongoing research.
Awan’s academic research focuses on the intersection of geo-politics and space, in particular working with the topics of migration, borders and diasporas. She is co-author of Spatial Agency (Routledge, 2011), a book that explores other modes of practicing architecture and her current book Diasporic Agencies (Ashgate, 2016), also explores questions of migration.
Migrant Narratives of Citizenship: A Topological Atlas of European Belonging was supported by the Independent Social Research Foundation, University of Sheffield and ESRC Festival of Social Science.
You might also like
More- Art Outdoors
Damien Hirst: Charity
Charity is based on the Scope charity collection boxes that used to be common on British streets. On the walking route to The Weston, it features a young girl wearing a calliper and cradling a teddy bear. - Art Outdoors
Ro Robertson: Stone (Butch)
Robertson’s Stone (Butch) (2021) is part of a body of works exploring the terrain of the queer body in the landscape and was created by plaster casting directly in crevices in natural rock formations at Godrevy Point (St Ives Bay, Cornwall). - Art Outdoors
Lucy + Jorge Orta: Gazing Ball 2018
Gazing Ball was originally commissioned for The National Trust’s Folly! programme, in which artists create responses to re-imagine lost follies at Fountains Abbey and Studley Royal Water Garden, North Yorkshire. - Art Outdoors
Robert Indiana: LOVE (Red Blue Green)
Indiana’s iconic LOVE (Red Blue Green) (1966–1998) welcomes visitors at the entrance to YSP.