
About James Lee Byars
Like a sculptural sigh of wonderment, the piece is typical Byars: touching, vulnerable and ethereal
The historic Chapel was converted into a unique exhibition space in 2009 with The Angel, a spellbinding work by the late American artist James Lee Byars (1932–1997).
Built in 1744, YSP opened the Chapel to the public for the first time since its deconsecration to showcase The Angel (1989). The work comprises 125 Murano glass spheres, each one hand-blown using just a single breath, arranged in curves based on the Japanese Kanji character for ‘angel’.
Byars visited YSP in 1996 and was beguiled by the place and its atmosphere: it was fitting that his work created a graceful statement in a place that already contains a meditative presence.
A further selection of sculpture, incorporating themes and motifs explored by Byars throughout his career, was shown in the Bothy Gallery giving visitors the opportunity to experience a significant installation by this intriguing artist known for profound and challenging performance and sculpture.
The Grade II* listed Chapel, set in the 18th-century landscape, is a sandstone Georgian church built to serve the Bretton Estate and designed by Sir William Wentworth whose family owned the estate until 1792. It continued to be used for services for the local village until the early 1990s when it was deconsecrated and a new church was built in the village.
Works were kindly loaned by Michael Werner Gallery.
You might also like
MoreJordy Kerwick: One to give. One to take away (Unum dare. Unum ut auferat)
–Jordy Kerwick’s fantastical creatures come to life in sculpture and paintings in The Weston Gallery and outdoors.- Profile
Carolyn Lord
- Art Outdoors
Henry Moore: Large Spindle Piece
Large Spindle Piece was based on the shape of a piece of flint with protruding points that Moore found near his Perry Green home. It was also greatly inspired by Moore’s fascination with Michelangelo, which had begun almost 50 years earlier. A Royal Academy Scholarship had enabled Moore to travel to Italy in 1925 where he visited the Sistine Chapel. - Art Outdoors
Idit Nathan and Helen Stratford: Further Afield
Further Afield is a series of sculptures sited around the Upper Lake for visitors to encounter and respond to. Each work is made from wooden railway sleepers, with words engraved on the surface. Certain words have been highlighted by the artists using brightly coloured paint. Over time, the wood will age and become embedded in the landscape of the Park.