Harriet Fletcher
Through the exploration of craft materials, Harriet's practice highlights the significance and beauty of objects and collections. Her work crosses materials and techniques, largely focusing upon textile and ceramic media, but also exploring paper and wood through various contemporary craft processes including stitch, print, laser and waterjet cutting.
Harriet pursues the development of her creative practice through commissions, exhibitions and residencies, alongside work as an artist educator for various organisations and age groups including YSP, The Hepworth, Wakefield, The Whitworth, Manchester and various universities. Harriet is also Creative Director of Everybody Arts in Halifax, a charity with an art school, gallery and artist studios, which provides opportunity and engagement with art for all ages and all abilities.
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- Art Outdoors

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- Art Outdoors

David Nash: Barnsley Lump
Barnsley Lump is a rough-cut block of local coal that connects to the geological and social history of the area. It is gradually disintegrating back into the earth, as Nash anticipated, describing it as a ‘going’ work. - Art Outdoors

Ursula von Rydingsvard: Heart in Hand
Heart in Hand relates to an earlier, larger work called Luba that was made in cedar and bronze, and is on permanent display at Storm King Art Center in upstate New York. Both works are intended to suggest a sense of protection and nurturing, like the arm of a mother cradling a baby. - Art Outdoors

Leiko Ikemura: Usagi Kannon II
Usagi Kannon II [Rabbit Madonna] is one of Ikemura’s most significant motifs. Her hybrid creature with rabbit ears and a crying, human face acts as symbol of universal mourning, first created in 2011 in response to the Fukushima nuclear disaster in Japan.