Usagi Kannon II [Rabbit Madonna] is one of Ikemura’s most significant motifs. Her hybrid creature with rabbit ears and a crying, human face acts as symbol of universal mourning, first created in 2011 in response to the Fukushima nuclear disaster in Japan, and the subsequent reported birth defects in animals. Questioning cycles of creation and destruction, Ikemura’s work shares her concerns for the future of our planet at a time when natural habitats are increasingly under threat.

The character’s bell-shaped skirt acts as protective shrine. It combines the artist’s interest in Eastern and Western imagery, bringing together the Japanese Buddhist goddess of mercy, Kannon, and Christian iconography of the Virgin of Mercy and people sheltering under the outspread cloak of the Virgin Mary. Ikemura originally conceived a pair of Usagi Kannon, with the partner to act as a hope-giving protector for all people and living things.

Courtesy of the artist.