Henry Moore's Large Totem Head sculpture is enlarged from a much smaller work made five years previously called Head: Boat Form and the resemblance to a hollowed-out boat remains clear. However, unlike that sculpture, which sat horizontally, Large Totem Head is raised to a standing form, assuming the totem-like presence of its title. 

Moore was inspired by a variety of natural objects which he collected and surrounded himself with in his studio. He was also fascinated by the art of many cultures and regularly visited the ethnographic collections at the British Museum. The influence of both areas of interest can be seen in Large Totem Head.

From the back, the convex form seems entirely closed and abstract, like an outer skin. Moving to the front, the concave interior resembles a seed pod, fruit or bud that has been cut in half to reveal its hidden core. When seen among the hills and trees of the Country Park the relationship to natural forms such as this becomes more resonant.